Amidst the tumult of 1936 Lisbon, where reality and dreams collide, Ricardo Reis returns from Brazil, unaware that his life is about to intertwine with the shadows of existential dread. As he navigates the city's political upheaval, a haunting presence looms: the specter of Fernando Pessoa, his late mentor. Each encounter digs deeper into the nature of identity, love, and mortality, drawing Reis into a web of philosophical questions and romantic entanglements. Can a poet find solace in a world spiraling into chaos? As the fog thickens, will he embrace the inevitable, or will he defy his fate?
"The Year of the Death of Ricardo Reis" follows Ricardo Reis, a physician and poet created as a heteronym of the famous Portuguese writer Fernando Pessoa. Set in Lisbon in 1936, the novel weaves together existential musing, historical upheaval, and personal reflection. After returning from Brazil upon hearing of Pessoa's death, Reis drifts through a city overshadowed by fascism and uncertainty. He enters into ambiguous relationships, both romantic and spectral, with real women and with the ghost of Pessoa. Saramago uses Reis’s journey through a changing Lisbon as a canvas to explore identity, mortality, and the tension between engagement and detachment. The narrative blurs fact and fiction, creating a meditation on what it means to live authentically amidst history's relentless tide.
The novel opens with the return of Ricardo Reis to Lisbon after years in Brazil. He is himself a literary invention, one of Pessoa’s heteronyms, and his ambiguous existence mirrors the uncertainty of the city he now inhabits. Lisbon is drenched in rain and gloom, reflecting both the personal melancholy Reis carries and the political darkness of Europe as fascism spreads. The passing of Pessoa haunts Reis, and soon he is visited by the poet’s ghost, challenging his perception of reality and selfhood.
The encounters between Reis and Pessoa’s ghost become central, offering philosophical debates on life, death, and authorship. Pessoa, in his spectral form, urges Reis to contemplate the finite nature of existence and confront his anxieties about mortality. These surreal exchanges blur the line between reality and imagination, revealing Saramago’s preoccupation with the porous boundaries of the self. Reis remains detached, yet the haunting compels him to a deeper self-reflection.
Parallel to these philosophical explorations, Reis’s life becomes entangled with two women: Lídia, a hotel chambermaid with whom he pursues a passionate, if ambiguous, relationship; and Marcenda, a fragile young woman he regards with paternal affection. These relationships probe another axis of the novel: the difficulty of connection in an uncertain world. Reis navigates love and desire at a distance, observes suffering, and hesitates to commit, mirroring the inertia felt in the wider society around him.
Running beneath Reis’s personal story is the ever-present hum of political unrest. Portugal, under Salazar’s regime, stands on the precipice of social change, while news from Spain signals the growing danger of totalitarianism. The city’s atmosphere is thick with paranoia and resignation. Reis, as a detached observer, is both critical and complicit; his reluctance to involve himself in politics reflects existential doubts about individual agency in a world dominated by uncontrollable forces.
Throughout the book, Saramago deliberately blends historical fact, poetic fiction, and magical realism. The novel’s style weaves long sentences and ambiguous punctuation, echoing the uncertainty of the time. Through Reis’s journey—haunted by love, loss, and literary ghosts—Saramago meditates on the human desire for meaning and the struggle with the inevitable demise. In the shadow of Pessoa’s death and Lisbon’s turbulence, Reis’s choices become a reflection of the timeless quest for authenticity amid fleeting realities.
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